I didn't find a suitable still to buy within my budget, but luckily was loaned an old, 100 liter Alquitar still to use this season. The poor thing is full of holes and I had to fashion a couple of branches to hold the thing up while full of water so it wouldn't collapse on itself. Every distillation is preceded by the application of lots of Rye paste to seal the holes in the still.

I'd almost always distilled with the perforated copper plate on the bottom of the pot to protect the pomace from burning. A few years ago I tried using hay instead, just to experiment with, as I was told that many here in Spain distill that way. This year I used freshly cut grape vine stalks to line the bottom of the pot. Theory states that this should not be used as more methanol is extracted this way. It's what I had at hand, so it's what I used.
There in the States, all I ever distilled were Pinot Noir pomace. I could never get my hands on other varieties. I always suspected that the bitterness that I noticed in all the Orujo that I ever made was just a product of the bitterness that I personally think is part of that grape variety. This year I've been given Tempranillo, Mencia and another, unknown, white grape variety (that tastes like concord grapes) to distill.
None of the Orujo that I have made this year has had the bitterness of the stuff made in the States.

Interestingly, the old-timer modified the still so that the pomace was suspended ABOVE the charge water in the pot. That way, none of the boiling water touched the pomace and only the steam generated by it's boiling made it's way up through the pomace and out through the coil. He swore by this method, stating that it got the best Orujo he ever had. I am going to give his method a try.
The attached picture is of the Alquitar still that I used this season. Rustic eh?
